Grateful Dead [1080p60 Remaster] September 26, 1991 -- Boston Garden Boston, MA [SBD:Charlie Miller]
![Grateful Dead [1080p60 Remaster] September 26, 1991 -- Boston Garden Boston, MA [SBD:Charlie Miller] Grateful Dead [1080p60 Remaster] September 26, 1991 -- Boston Garden Boston, MA [SBD:Charlie Miller]](https://i.ytimg.com/vi/B8MT4NsIJco/hqdefault.jpg?sqp=-oaymwEcCNACELwBSFXyq4qpAw4IARUAAIhCGAFwAcABBg==&rs=AOn4CLADW4k-FsoRM_qu59pRg5y54wL9cA)
Details
Title | Grateful Dead [1080p60 Remaster] September 26, 1991 -- Boston Garden Boston, MA [SBD:Charlie Miller] |
Author | Christopher Hazard |
Duration | 2:31:40 |
File Format | MP3 / MP4 |
Original URL | https://youtube.com/watch?v=B8MT4NsIJco |
Description
Video Remaster notes: (Full lineage and set list below)
Video mastering/upscaling done by Christopher Hazard 480i to 1080p @ 60 frames per second
Josh (GratefulDavis) was of great help on this project for the entiire month of September with a lot of heavy duty prep work. Without his help I wouldn't have gotten these all done in September!!
Video input: 480i
Remasterred Video output: 1080p60 (1440x1080 @ 60 Frames Per Secoond)
Audio has been re-tracked with Charlie Milller's 24-bit FLAC SBD Master.
Video: 480i source is de-interlaced using motion vectors to achieve a "perfect" 480p60fps (no frame blending, each frame becomes an "image" -- a true progessive video), each individual frame is exported to a lossless image file (average of 500,000 images per show) and edited individually for spatial/temporal noise, contrast, brightness, and then each frarme is ran through numerous neural networks which augment each image using large datasets to "fiill in miissing data" as needed while trying to not distort the original file. This is how we are able to increase a 480i file to 1080p or 4k using artificial intelligence. Thiis proicess takes up multiple terabytes per show in storage and requires a lot of heavy duty comoputational power.
Each sequence of images requires a "best guess" of which dataset will do the best augmention on each upscale pass, until the images are all at 1080p/4k. The ~500,000 images are then put into Vegas Pro and rendered filtered again (lightly) to filter out temporal noise/artifacts and flickeriing. Images are re-assembled to create a buttery smooth video, that's why we aim for 60FPS :)
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Donation liinks (All goes to equipment, software, overhead -- PERIOD. Every cent goes to keeping this page viable. If it weren't for past/current donors, this page and alll of the videos on it would not exist. Broke gradude student living alone cannot afford what iit takes to do this.
One time donnations:
Venmo: @Christopher-Hazard-0
Paypal: Christopher.Hazard@utoledo.edu
Cashapp: $hazard4k
Patreon (monthly donations, you choose the amount.)
Patreon: https://www.patreon.com/hazardc
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SOURCE LINEAGE:
Brokedown House Production
Taped by Less Than Face Productions
Capture by P.Togos
Synch, Edit, & Author by Kevin Tobin
Video: AUD (Tripod) ~ 2nd Gen Beta (Sony HiFi ESX L-750 Dynamicron)
Transfer: Beta 2nd Gen ~ Sony SL-HF900 Super Beta HiFi ~ Canopus ADVC-300 ~ Firewire ~ HD ~ Sony Vegas 9 (.avi) ~ MPEG2 ~ TMPGEnc MPEG Editor 2 ~ DVD Architect Pro 6 ~ DVD5 & DVD9
[NTSC, 4:3, 8.0 Mbs, 720x480, 29.97 fps]
Audio: SBD ~ DAT & Beta Masters - (shnid=138148)
DAT ~ Panasonic SV-3700 ~ SP/DIF ~ RME Fireface UC ~ USB 2.0 ~ HP EliteBook 8460p ~ Adobe Audition 3.0.1
Beta ~ L-750 ESX-HFB Dynamicron Super HiFi ~ Sony SLO-1800 ~ Sony PCM-601 ESD ~ SP/DIF ~ Mytek Stereo 192 ~ FME Fireface 800 ~ Firewire 400 ~ Lenove K450e ~ WaveLab 6.1
This recording was gratefully supplied by PO & Stucco TINA Holmes and maybe others
Thanks to spamjam for the equipment generosity
Mastering & Editing by acetboy on Pro Tools LE
GEMS Release - April 20, 2017
[LPCM, 1.5 Mbs, 16 Bit, 48 kHz]